"The most I'll [Terry Rossio] say is that it might be effective to train yourself to consider, instinctively, these types of questions:"
- What is the arresting visual image to start this scene, one that will quickly involve the audience?
- What situation is immediately apparent upon cutting into the scene, or, how quickly does a situation develop?
- What is the essential story point of the scene, and how clear has it been made?
- How can the story point be conveyed in the most interesting manner -- using character?
(excerpted from: The Storyteller Cut)
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